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Homecoming - A Prophetic Study of Ruth
Becoming the Bride
Writer Reveals New Worlds in God's Word

The greatest book ever written
Cute book, delightfully illustrated!
For everyone who dreads Little Old Ladyhood

I'm Too Young to Get Old
Dr. Reichman gives all women a health game plan.
I would like to see this book come out on audio tape.

A moving story of unrequited love.Of all the moving and haunting scenes I think the scene in London's Covent Garden where Ruth, on her way to a rehearsal of Verdi's "Don Carlos," is rivetted to the spot when she sees a bag lady wearing the coat that Daniel bought in the early 1970's and had given away when he joined the church. Ruth 'identifies' the coat by the tear in the pocket that she herself had repaired, and gives the uncomprehending lady some money. It makes Ruth's final meeting with Daniel all the more heartbreaking. Their final parting, their last, almost indifferent, goodbye. And Ruth final matures as an artist. As the conductor says to her after the first night of Don Carlos; "Something happened to you between the dress rehearsal and the opening." "Well, yes, you could say that." replies the liberated Ruth.
It was interesting reading the other reviews as I had to look up both Colin Dye and Dorothy Squires on the Internet, and the scene where Daniel inists the shopper is Dorothy Squires is very funny. I can't quite see Pastor Dye doing this these days.
I also enjoy the panorama of the book, the varied locales, and the, oh so human, situations.
A great book.
It is a lovely book. I really enjoyed it.The scenes in London I find bitter-sweet, but enjoyable. What does come across is the loneliness of artistic endeavour in the young, when they are sustained by hope alone. Hope, and each other.
Ruth's fearful reunion with Daniel after ten years is heart-rending, but it rings so true. She has lived with an idealised vision of him, sustaining her through so much, and suddenly, in just a moment, the vision is gone.
It's well worth reading, and Iverna Tompkins is a very talented writer.
It pleases me....The book is about a young girl, Ruth Ben-Lazar, who longs to be a performer. Against her mother's wishes she leaves Tel Aviv and makes her way to London where, after a few dancing lessons, she gets work in a club as an exotic performer. The hours are long and the work dreary, but little by little she earns the money for her singing and dancing lessons. She works hard. Ruth is sustained in her daily life by a boy at her dancing school, Daniel, [whom I've been told is based on Colin Dye], who plans to give up dancing and become a preacher once he has fulfilled his ambition of dancing a leading role with a major ballet company.
There is a lot of humour and compassion in the plight of the two youngsters making their way in London. Ruth falls in love with Daniel and hopes he is willing to give up the life in London and return to Israel with her and live and work on a kibbutz. No such luck! Daniel takes on leading roles, and moves in very grand circles and then vanishes at the end of a season. Ruth discovers he has gone to Bible College.
Ruth returns to Israel. Ten years pass. Little by little she makes a career as an opera singer. She gets an engagement to sing in London and discovers Daniel who, instead of ministering to a small flock in the outer Hebrides as he expected to, is now the leader of a charismatic church in London.
I won't spoil the delight of the rest of the book. There's one sad little scene which especially haunts me. When Ruth finally meets Daniel again he is married. Having lived with an idealised image of him in her mind for over ten years she is shocked to see what he has become. The final straw is when Daniel's wife, Mary, [clutching a grapefruit juice spiked with gin] says quietly to Ruth: " I hope you don't love him too much - he isn't worth it any longer." Ruth flees the building and gets on with her life. She never sees Daniel again.
I find the theatrical aspect of this book very well written, it's obviously been carefully researched, if not actually experienced. Likewise the religious areas. Some of the parts with the young people living in London in the early 1970s is killingly funny. The scene where Daniel accosts a middle-aged lady in Kensington High Street and insists she is Dorothy Squires and will brook no denial despite the lady's protests had me weeping with laughter. [If Daniel is really Colin Dye and he really did this it's both very funny and a little bit cruel. Dorothy Squires, a famous Welsh torch-singer who died a couple of years ago aged 83, was actor Roger Moore's first wife, some years older than him, and led a very up-and-down life. Two years after she and Moore divorced in 1968 the 55 year old singer spent $10.000 of her own money to hire the prestigious London Palladium for a comeback. Her close friends were sceptical but the theatre was sold out within 10 hours of the box office opening and she had a huge success. She was a major 'camp' [not neccessarily gay, either,] icon of post war period in the UK and was always good for copy. She had legions of fans of all ages and from all walks of life. This isn't too well explained in the book, and I had to look her up on the Internet to understand who she was.]
Another haunting scene is Ruth's explanation of the story of her biblical namesake, Ruth, and Naomi, from the book of Ruth, to a group of young children on the kibbutz.
This book is about courage, guts, gritty landscapes, beautiful blue skys, hopes, fears and acceptence. Read it.


Some additional reviews and raves!"Recommended Reading!" -- Parsec, the Canadian Science Fiction Magazine
Nudity, morality and incredible artwork and colors
I thoroughly enjoyed the book!

Excellent
A Must for Septuagint StudyIt has helped me to understand what the LXX is, how it was put together, and the relationship of the many different texts which are used to generate the critical modern editions of the LXX, such as Rahlfs "Septuaginta." It has also helped me to understand the relationship between the various specialties in LXX Studies.
The only drawback to this book is the sequence of the topics covered, since I had a hard time locating the excellent analysis of the modern critical editions. But this is a highly personal objection, and a small one at that.
Excellent Beginner's GuideThe book contains an outstanding glossary of terms, a subject index, a Scripture index, an index of authors, and a chart giving the corresponding English references for Septuagint references (as they do not always harmonize). It is organized into three parts, each part successively more involved and advanced than the previous. Total contents: Introduction, 14 chapters, 4 appendices, and 3 indices.
Introduction Part 1: The History of the Septuagint--Introduces the subject, including how "Septuagint" is pronounced and its relevance to biblical studies; describes its origin, how it was edited and copied over time, and introduces the reader to modern published editions of the Septuagint; explains translation methods of the Septuagint's translators. No Greek or Hebrew is required and any Greek or Hebrew terms used are transliterated.
Part 2: The Septuagint in Biblical Studies--Covers textual criticism; linguistic issues relating to Koine Greek in the New Testament and the Septuagint; importance of the Dead Sea Scrolls; the New Testament's use and quotation of the Septuagint; and the Septuagint translators' hermeneutical methods. Unlike Part 1 of the book, the reader will benefit more from this section by having at least an elementary knowledge of Greek and Hebrew. Terms are no longer transliterated.
Part 3: The Current State of Septuagint Studies--Introduces the reader to significant scholars in the field; current lexical and grammatical work; progress and theories related to textual criticism of the Septuagint; and theological factors during the Hellenistic period which may have affected interpretation and translation.
Overall, an excellent introduction. I myself have never before been exposed to the many issues related to Septuagint studies. I was impressed with the book's organization, clarity, and comprehensiveness in introducing the beginner to the difficulties and many related fields of study which are involved in working with the Septuagint.


A sensitive portrait of the artist
What A Treat!
A significant book about a significant artist.

Thorough and thought provokingMilgrom's commentary reveals a healthy respect for classical Jewish commentators but doesn't hesitate to address and add modern Biblical research. Milgrom excels when explaining the more obscure portions of Numbers, such as the rituals, calendars, and sacrifices. In addition to his verse by verse commentary, Milgrom adds lengthy excurses, exploring in more depth the issues raised in the commentary.
For example, his insights into the meaning of "tzitzit" - the fringes attached to four cornered garments - are outstanding. Milgrom argues that attaching the linen tzitzit with the dyed blue thread (techelet) to one's garment as required by the text, rendered the garment "shaatnez" - a forbidden combination of wool and linen. Milgrom notes that "shaatnez" is generally forbidden to be worn, but was permitted to be used in the construction of the Tabernacle and the clothing of the priests. By allowing, indeed requiring, every Israelite to attach shaatnez tzitzit to the corners of his/her garments, the Bible was drumming into the people the mandate that they be "a kingdom of priests and a holy nation."
Similarly, Milgrom's treatment of the paradox of the Red Cow, whose ashes purified those rendered impure by contact with the dead but rendered impure those who handled them is a tour de force of modern Biblical scholarship.
On almost every page, you will enjoy reading insights you may never before have come across. This book is a treasure for anyone willing to spend the time it requires.
Best guide to "Numbers" yet availableLike all the JPS Torah commentators, this work use of traditional rabbinic commentaries, and the Mishna, Midrash and Talmud. But it doesn't end here: The commentary goes on to make good use of literary analysis and comparative Semitics; intertextual commentary relating each book to other biblical books, and evidence from modern archaeological, discoveries.
Excellent commentary on the Torah.

Great, great book!
short and complete
this is a really great book